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Jean-Daniel Mottier's 1958 Chevrolet Impala - LA Watson

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1958 Chevrolet Impala owned and restyled by Crazy Cruisers member Jean-Daniel "Momo" Mottier of Geneva, Switzerland. Known as “LA Watson,” the car was built following a tragic fire in 2012 that destroyed the Crazy Cruisers clubhouse. The car is a tribute to the late 1950s custom style associated with Larry Watson and the Bellflower school of customization. Through its design and execution, the car represents an effort to preserve and reinterpret West Coast custom history within a Swiss context. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Momo's Impala was conceived as a tribute to Jim Doss' 1958 Chevrolet Impala, which was restyled by Walkers Body Shop in Bakersfield, California, and later panel-painted by Larry Watson at Watson's House of Style. Rather than replicate the Doss car exactly, Momo chose to reinterpret its spirit. As he told Sondre Kvipt of Kustomrama, he did not want to build a copy, “but rather a tribute. So I allowed myself some differences, in the contouring shapes and in the colors.” The result connects the Bellflower tradition of late-1950s California to a contemporary European build, reflecting the continued influence of Watson’s color and contour philosophy outside the United States.
The project begins. Momo's Impala secured on a trailer during transport, prior to restoration and modification. Photo courtesy of Jean-Daniel Mottier.
The second donor Impala sourced in Germany. Components from both vehicles were later combined to create the “LA Watson.” Photo courtesy of Jean-Daniel Mottier.
Initial metal preparation at the rear quarter panel, marking the area for reshaping and custom taillight integration. Photo courtesy of Jean-Daniel Mottier.
Fabricated taillight housings and templates prepared prior to welding. Photo courtesy of Jean-Daniel Mottier.
The rear quarter panel during the welding phase. The modified housing begins to take form before final smoothing. Photo courtesy of Jean-Daniel Mottier.
Test-fitting the adapted 1959 Lincoln taillight assembly. Photo courtesy of Jean-Daniel Mottier.
Rear view during bodywork, showing both taillights installed and the surrounding sheet metal shaped prior to finishing. Photo courtesy of Jean-Daniel Mottier.
Reference material documenting Jim Doss' 1958 Chevrolet Impala, used during the planning stage to guide the tribute paint job. Photo courtesy of Jean-Daniel Mottier.
Momo masking the roof during the panel design phase. Photo courtesy of Jean-Daniel Mottier.
Measuring and marking the roof contours inside the paint booth. Precision layout ensured balanced proportions in the final black-and-gold panel scheme. Photo courtesy of Jean-Daniel Mottier.
Gold metallic paint finally applied. Photo courtesy of Jean-Daniel Mottier.
Striping in progress as Vince Custom Paint applies gold lettering and contour lines to the dashboard. Photo courtesy of Jean-Daniel Mottier.
Photo courtesy of Jean-Daniel Mottier.
A close-up of the “LA Watson” lettering executed in gold striping on black. Photo courtesy of Jean-Daniel Mottier.
More masking. Photo courtesy of Jean-Daniel Mottier.
Pinstriping applied before clear coating. Photo courtesy of Jean-Daniel Mottier.
An interior driver's view featuring the gold-accented steering wheel, smoothed dashboard, and air suspension gauges replacing the original radio. The black-and-gold theme echoes the panel paint job perfectly. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Full interior view displaying the black and Diamond Gold upholstery by Style Inside, including adapted front seats from a 1966 Oldsmobile. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
A custom gear selector topped with a sculpted shift knob that looks like Larry Watson, adding a personalized touch to the cabin. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Rear seat back featuring hand-laid gold pinstriping artwork. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
The modified rear bench with center armrest and storage compartment reflects the gold panel theme carried throughout the car. Photo courtesy of Jean-Daniel Mottier.
Interior roof view showing the gold accent striping applied across the headliner, continuing the exterior contour theme. Photo by Trent Sherrill - Speed & Kulture, courtesy of Jean-Daniel Mottier.
A rear window view showing the Crazy Cruisers plaque that reflects the car's Swiss roots. Photo by Trent Sherrill - Speed & Kulture, courtesy of Jean-Daniel Mottier.
Detail of the Impala roof scoop and gold panel transition across the roof. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
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Front detail highlighting the shortened 1954 Chevrolet grille with 1953 Chevrolet grille teeth and one-piece bumper. The black-and-gold panel treatment frames the floating grille effect. Photo by Trent Sherrill - Speed & Kulture, courtesy of Jean-Daniel Mottier.
Detail of the exhaust exiting behind the front wheel. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
The Lincoln taillight with the trim starburst looks right at home at "LA Watson". Photo by Trent Sherrill - Speed & Kulture, courtesy of Jean-Daniel Mottier.
Rear three-quarter view of “LA Watson” sitting low on its air suspension, illustrating the full black-and-gold panel design and Bellflower-style exhaust treatment. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Side profile detail emphasizing the modified side trim and extended gold contouring that reinterpret the Jim Doss Impala design language. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Engine bay showing the 383 cubic inch small-block V8 equipped with an Offenhauser intake and Tri-Power setup. The mechanical presentation complements the period-correct custom theme. Photo by Etienne Butterlin - PowerGlide Magazine, courtesy of Jean-Daniel Mottier.
Photo courtesy of Jean-Daniel Mottier.

Featured Story - 1958 Chevrolet


1958 Chevrolet Impala owned and restyled by Crazy Cruisers member Jean-Daniel "Momo" Mottier of Geneva, Switzerland. Known as “LA Watson,” the car was built following a tragic fire in 2012 that destroyed the Crazy Cruisers clubhouse. The car is a tribute to the late 1950s custom style associated with Larry Watson and the Bellflower school of customization.[1] Through its design and execution, the car represents an effort to preserve and reinterpret West Coast custom history within a Swiss context.


Background

Prior to the 2012 clubhouse fire, Momo had acquired the car as a project vehicle from a friend in France. The vehicle was stored outside at the time of the fire and was largely spared, although many spare parts were lost. Using insurance funds from the loss of his 1965 Impala, Momo purchased a second 1958 Chevrolet Impala from Germany. Over a four-year period, components from both vehicles were combined to produce a single completed car.[1]


In 2026 Mottier described the project as the realization of a long-standing ambition. He stated that the 1958 Chevrolet Impala was already “a very beautiful model with a lot of body detail and a superb original design,” but added that “I love traditional custom cars too much; you have to stand out from the crowd.[1]


Tribute to Jim Doss and Larry Watson

The car was conceived as a tribute to Jim Doss' 1958 Chevrolet Impala, which was restyled by Walkers Body Shop in Bakersfield, California, and later panel-painted by Larry Watson at Watson's House of Style. The original Doss Impala was nosed, decked, and shaved, with reversed side spears, frenched Pontiac taillights, reworked roof scoop, and distinctive lakes pipes that exited as Bellflower-style tailpipes behind the rear wheels. Watson first finished the car in lime green and green, and later repainted it with layered translucent green, gold, and pearl-frost paneling, highlighted by white pinstriping. The gold-and-white interior matched the exterior scalloping.


Rather than replicate the Doss car exactly, Momo chose to reinterpret its spirit. As he told Sondre Kvipt of Kustomrama, he did not want to build a copy, “but rather a tribute. So I allowed myself some differences, in the contouring shapes and in the colors.[1] The result connects the Bellflower tradition of late-1950s California to a contemporary European build, reflecting the continued influence of Watson’s color and contour philosophy outside the United States.


Momo has described his long-standing admiration for Watson’s work and the Bellflower style, noting that such historically inspired customs are often more feasible in Switzerland than radical body modifications due to strict inspection laws. The project thus combines historical homage with local regulatory adaptation.[1]


Design and Body Modifications

While inspired by the Doss Impala, Momo's version differs significantly in execution. The exterior was finished in black with gold contouring and striping rather than Watson’s layered green panel scheme. Momo summarized the color concept by stating, “Black and gold, it sings![1]


Bodywork and paint were completed with the Agu family, while striping and pinstriping were carried out by Vince Custom Paint. Momo masked up the panel paint scheme himself, using old photos of the Doss Impala as reference.[1]


Exterior modifications included removing door handles, locks, badges, and emblems. The fuel filler door and the panel beneath the trunk were smoothed. The side trim was modified by removing the internal aluminum inserts and matching the front fender trim to the rear. The decorative side air intakes and louvers were removed while preserving their stamped outlines in the body.[1]


The front grille assembly combines a 1954 Chevrolet grille with 1953 Chevrolet grille teeth, shortened to achieve what Momo describes as a “floating grille” appearance. One-piece bumpers were installed front and rear. At the rear, 1959 Lincoln taillights were adapted after modification to reduce the chrome surround and recess depth.[1]


Interior

The interior received front seats from a 1966 Oldsmobile. The rear bench was modified to include a central armrest and storage compartment. The original dashboard speaker grilles were removed and smoothed, and two air pressure gauges for the air suspension replaced the factory radio position. The ashtray was modified to accommodate four air-suspension control switches.[1]


Rear speakers sourced from drive-in cinema equipment were recessed into the rear armrests. The headliner, door panels, and seating were reupholstered in black and Diamond Gold leatherette by Style Inside, visually echoing the black and gold panel paint job.[1]


Mechanical Specifications

Momo's Impala is powered by a 383 cubic inch stroked small-block V8 engine equipped with an Offenhauser intake manifold designed for a Pontiac GTO Tri-Power system. It is paired with a TH700-R4 automatic transmission and a reinforced rear axle with a 3.73 ratio. The exhaust system follows the dual Bellflower-style layout, referencing the West Coast custom tradition.[1]


An air suspension system was installed and subsequently approved by Swiss authorities, as similar systems were available as factory options on certain General Motors models in 1958. The adjustable suspension allows the vehicle to achieve a low stance while remaining compliant with national vehicle regulations.[1]


Legacy

By reinterpreting the Jim Doss Impala’s design language within the constraints of Swiss law, “LA Watson” reflects the international reach of the Bellflower custom aesthetic. Completed in 2016, the car demonstrates how late-1950s California panel and contour styling continues to influence builders outside the United States, effectively extending the historical lineage of Watson-style customs into the twenty-first century.


References




 

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